陳文祺Wen-Chi CHEN

 

非思 2 / FACE 2

年份：2011

長度：10’00”

 

猶如幽靈(spectrum)般的影像觀點投射於影像傳達的意向性(intentionality)，在行為場域中影像是模糊的客體，經由攝影後構成型體，在模糊中卻能辨識無礙，模特兒的身影參與了神秘的召喚儀式，如同死亡的微縮經驗下既非主體亦非客體而是種「奇遇」，這種之於主體意識覺醒的基礎上，是現象(phenomenon)反應個人的獨特意義和價值，返回事物本身的意識領域，對於創作過程角色的面向有按快門者、影像構成的參與者、情感流出的觀看者與影像顯像的執行，最後成為觀看者；這多重角色存在的狀態有別於純觀察者的角度，是創作者行為表徵(characterization)亦是沉默冥想，影像的面貌在此是精神層面留痕，無關真實世界的對應，在直觀中獲得對物與自我本質的認識。

視覺與感知的衝突在時間的證驗下呈現出認知的差異，時間無法被辨認而考驗著視覺的辯證，我們活在當下卻無法阻止每秒的流逝，認知如同影像紀錄了眼前靜止的時刻，卻無法理解¬真實的變化，我們在矛盾中經歷了每一時刻也勾起了內心的每一刻騷動；真實的世界在我們的內心中亦如被凝結的影像，相信了眼見卻無以為憑，凝視是內¬心無可理解的黑洞，他吸納了我們曾經所有的一切。

Moving like spectrum, the intentionality of image communication is projected on by image viewpoint. In action atmosphere, image is only a vague objective, but through the image capture, it constructs itself into forms. The forms although hidden in a haze, but still identifiable. The shadow of the model participates in a secret summon ritual, as a micro experience of death. The experience is neither subjective nor objective but an adventure of a kind based on the awakening of self-consciousness; within, the phenomenon reflects the personal unique meaning and values, and returns to self-consciousness of the object. During the creating process, the roles include the shutter hitter, the participants of the image composition, the emotion expressed spectator, and the image developer as the last spectators. The existence of the multiple roles is difference from the naïve spectator’s perspective. The characterization of artist’s action is also a silent meditation. The appearance of the image here is an imprint of psychological layer what is not corresponding to the real world, but an understanding of object and self-conscious through a direct view.
The conflict between visual and perception exposes the difference in the recognitions through the test of time. The time cannot be distinguished, and it exams the dialectic of visual. We live in a world of now, but we could not stop every second that past away. Our recognition is like a video camera to record the silent moment before our eyes, but it could not understand the real change. We experience every moment in this irony, and we also trigger every disturbance in our heart. The real world in our mind is like a frozen image. Even if we believe in what we see, we still do not have any evidence to back it on. The gaze is a black hole in our mind that could not be understood, it absorbs everything that we once had.