The steps leading to the river Thames in London are visible twice a day when the tides, that govern the flow of the river, reveal them. The traces of footsteps receeding in the mud go to the edge and then return, hence it is not the image of a suicide.   The river and its tidal laws affirm the presence of nature in the city. The work's title is taken from Roland Barthes's dictum 'To get out, go in deeper'. The work comments on the nature of photography and its potential to make visible and to bring to the light that which is concealed or overlooked.