國立台北科技大學 互動媒體設計研究所

Interactive Media Design Institute, National Taipei University of Technology

陳軒德 Shiuan-De Chen 蔡承佑 Cheng-Yu Tsai 黃賢文 Hsien-Wen Huang

蘇鏡澄 Ching-Cheng Su 劉瑞祥 Jui-Hsiang Liu 楊元綺 Yuan-Chi Yang

 

互動裝置 Interactive installation

作品說明

「圓仔花不知醜，大紅花醜不知」，把它當成沒有自知之明的代表，看不起這種花。但圓仔花雖醜，不過它卻開了滿山滿野，十分具有勇氣不是嗎？「不知醜」反而是有自信的表現，特別強調原先別人看不起的特質，充滿自我肯定、顛覆污名認同。因此，我們企圖以圓仔花所代表的草根性，顛覆新媒體藝術在大眾心中的認知。除了利用CAMARA偵測觀者的動作撥放動畫外，更配合這幅畫的題詞「圓仔花如燈」在畫中加入了不可見光LED燈，更配合這幅畫的題詞「圓仔花如燈」在畫中加入了不可見光LED燈，達到畫中有畫、虛；藉由觀者和畫產生互動連結，給觀者一個充滿樂趣的賞畫經驗！

 

“Plain look, fancy red Globe Amaranth has little appeal,” Amaranth is often referred to lacking of self-awareness.  Unloved though, the flowers spread over hills and fields, courageous to some extent.  Somehow, unconscious of one’s outlook reveal the self-confidence in accepting and recognizing what others disdain.

Thus, we take the grass-roots characteristics of Globe Amaranth and applied with new exhibition technique, as a challenge against common notion.  In addition to using Camera to observe the audience for adjusting the display, light in-penetrative LED lamp is also incorporated in the piece entitled “Globe Amaranth as a lantern.”  To view this work, it creates an impression of painting within painting, illusion and reality in one.  The interaction of the audience and the work provides an interesting experience of perception.