動畫在當代藝術作品中已經成為不可或缺的元素。動畫(Animation)源自拉丁文animare，意謂喚醒生命，生動說明動畫電影的藝術實踐。串聯攝影、素描、繪畫中的單一圖片或結合這一切，再透過時間因素加以擴充，讓藝術的敘事超越傳統的藝術媒介。傳統藝術媒介與動畫的分類，在動畫藝術中已經幾乎不復存在了。

創作論壇中，Anita Beckers 與藝術家Niklas Goldbach將介紹此一藝術型態的最新趨勢，並放映國際知名藝術家的動畫影片精選。展出作品涵蓋範圍很廣，包括從具有古典靜物畫美感的圖像語言，到以電腦製作的全新敘事形態。它們的共同點是與華特．班雅明(Walter Benjamin)在其開創性著作「機械複製時代的藝術作品」一書中的考量有關：動畫藝術是否能將情感的感受和作品的獨特性連結成一種新的「超自然」藝術氛圍？

十多年來，Anita Beckers以她位於法蘭克福的藝廊致力動畫的發展，Anita Beckers藝廊所舉辦的動畫展覽均呈現與傳統藝術媒介的對比。 

 

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Animation is now an essential part in the contemporary art works. The word “animation” is originated from the Latin word “animare”, signifying the awakening of life; it vividly describes the artistic practice of animation film. Through integrating photograph, sketch, and a single picture of painting, or by combining them, followed by an expansion via time factor, the narration of art can be expected to surpass the traditional art media. Besides, the classification of traditional art media and animation has nearly passed out of existence in the animation art area.

Anita Beckers and artist, Niklas Goldbach, will introduce the latest trend of this artistic form in the artist forum, and they’ll play the most appreciated animation films made by international famous artists. The works exhibited include a wide range of creations, from picturesque language with classical still life, to brand-new narrative form produced by computer. Their common characteristics are related to the considerations taken by the Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, an creative work of Water Benjamin, specifically, could animation art connect the feeling of emotion and uniqueness of work to a new “supernatural” art atmosphere?

For the last ten years, Anita Beckers has been constantly devoted in the development of animation basing on her gallery located in Frankford; the animation exhibitions held at Anita Becker’s gallery present a contrast to the traditional art media.