藝術家：吳權倫 Chuan-Lun Wu

作品名稱：〈Untitled〉（Debris 系列）

作品介紹：

金屬相紙、水晶裱褙（壓克力、鋁框）｜2011-2016

「Debris」泛指各種破壞毀棄後遺留的殘骸物質，並且多為人造。直觀上形容了作品畫面中破碎的造形。更企圖重新檢視當代生產過程中從數位到達實體與可用和不再可用。使用產品設計前端過程中的3D軟體，直接建構出殘骸化的3D模型，卻跳過實體階段的生產，留下殘骸影像。產品生命史中設計（初始）、製造（過程）、丟棄（終結）的流程重新排序，讓初始無異於終結。「成為無所用的殘骸」即是製造的意義。

在視覺經驗上表現3D軟體／影像作為一種工具／材料的純粹性，看似抽象繪畫的質感，於軟體內操作的過程近似雕塑，然而最終剩下的卻是一張記錄了各式材質模擬和光影渲染的相紙。介於數位計畫與影像物體之間模糊了空間維度，將當代中的身體壓縮入了二點五維度。

繼承了〈Debris〉系列中使用建模軟體製作影像的基礎。 〈Untitled〉將摸索的方向從相較單純的多邊形造型轉往更為有機，更具身體感的型態。將操作3D建模工具的態度重新定義為解剖，繼而在參考了人體器官模型與病理圖片後重新揉捏出一具不明骸體。

Metallic photo paper, Diasec (acrylic, aluminium frame)｜2011-2016

"Debris" is referred to the discarded remains after destroyed. Intuitively, it describes the broken and incomplete models built in the works. It is further intended to re-examine the production process from digitization to materialization, and the usable and the unusable. The front-end developing 3D software is employed to build the wrecked 3D model, and, with the production stage skipped, the only thing left is the images composed of fragments. The sequence of design (the beginning), produce (the process), and discard (the end) is re-arranged to the make the beginning no difference from the end. In this sense, “becoming the unusable debris” takes over the meaning of manufacturing.

The purity of 3D software/images as a tool/medium, presented in the visual experience, embodies in the texture similar to abstract painting, and the process of using the software is like sculpturing; yet, the final result is a piece of photo paper that records various kinds of material simulations and rendering of light and shadow. Space dimension is blurred in between a digital project and a visual object, in which a modern body is compressed into 2.5 dimension.