景 / Paysage

形式：影像裝置

年份：2011

媒材：電腦動畫投影 / CG animation

長度：9'51"

 

與法國編舞家克里斯．瓊赫佐共同創作/ Collective art work with Chiristian Rizzo

生活裏，我們在所居住的空間裡移動著。從家裡到工作地點、購物商場或學校，由這個車站移動到其他城市或由機場移動到其他國家。身體雖然穿梭在3度空間裡，但感知卻不可能無遠弗借。或是步行，或是在一輛車子裏，也或是在一節車廂裏，移動的過程中，我們能關注的僅存在於以〝線〞構成的路徑中。一幕一幕的畫面像似舞台底部的佈景、像是攝影棚裡的景片。也許應該合理懷疑：除了這條線性的路徑以外，其他的部分也許是〝虛無〞。但這應該是驚鴻一瞥的想法，多數的時間裏我們習慣性地看著眼前滑過一幕幕的景片，僅僅偶而因為景片與景片的置換過程中一些非習慣性的畫面而出神、停留，然後繼續回到線性的路徑中。

 

In our life, we move around in our living space.  From home to work, shopping mall to school, from one station, we move to another city, or from airport to another country.  Although our body move around in a three-dimension space, but our senses are not free without limit.  Whether walking, in a car, or in a train, during the process of moving, we can only focus on the passage in the way of a “line.”  Scene after scene like the backdrops on the state, or scene board in the photo studios, maybe it is reasonable to doubt that besides this linear passage, other parts might be “nihility.”  However, this could be just split second thought.  Most of the times, we are used to watch the scenes one after another in front of our eyes.  When some usual sight between the changing scenes happened rarely, we might be distracted, and stayed for a moment, and then back to the linear passage.