簡介/Synopsis

當時正值26歲的烏爾斯‧盧提坐在攝影機前，開始如作夢般的看到廣闊的想像世界。正當荷西‧費理其阿諾的歌曲響起的那一刻，一隻手突然從畫面下方出現，保養良好的纖纖玉手和手鐲，讓觀者猜這應該是個女人的手。她的手輕柔地撫摸藝術家，從肩膀到下巴、脖子、臉頰、額頭到頭髮，並溫柔地探觸這個眼前的物體。
在這部攝於1973年的錄影中，盧提消除了性別界限：眼睛所渴望的對像不再是女性，而是男性。重新界定藝術史傳統中的女人（被動）與男人（主動）的關係。
Urs Lüthi, then a 26-year-old, is sitting in front of the camera and gazing dreamily into imagined worlds. At the precise moment a José Feliciano song begins, a hand suddenly rises up from the lower edge of the frame; the manicured, slender fingers and a wrist-watch suggest that of a woman. Her hand gently runs across the artist’s shoulder up to his chin, his neck, cheek, forehead and hair and tenderly explores the object offered to her.
In his 1973 video, Lüthi removes the boundaries between the genders: the desired object of the gaze is not female any more, but male – with that, art history’s traditional relationship between woman (object) versus man (subject) is negotiated anew.