米夏艾爾‧比利契 Bielicky 1986-87, 39:26mins

簡介/Synopsis

眾所周知，一件藝術品會永留青史常常是因為跟某個轟動一時的事件有所關聯或是其肇因。不過如果這項轟動事件日後成了別的作品的樣本，就變得特別有趣了。米夏艾爾‧比利契和李卡多‧培雷多在1987年聯合攝製的作品「油脂角落」就是這樣。他們用紀錄片的方式，報導清除波依斯在杜塞爾多夫藝術學院填起來的著名油脂角落的過程：加上波依斯當年的同志之言論，透過剪接和鏡頭的交疊，如同藝術創作的手法。
藉由藝術本身的手段重新改寫藝術史上的一部作品。

That works of art go down in history because they were associated with a scandal or because they caused one, is well-known. It becomes particularly interesting, however, when the scandal later provides the impetus for a new work. And that is what happened in the 1987 video, Die Fettecke (The Fatty Corner), by Michael Bielicky and Ricardo Peredo. It reports in a documentary style on the removal of the famous “Fettecke”, which Joseph Beuys had installed in the Düsseldorf Academy: Beuys’ contemporaries have a say in an, as it were, artistic treatment produced by editing or by superimpositions.
A piece of art-history writes itself anew using art’s own means.