創作理念

本次展覽，企圖透過一種「數位空靈」的沈浸感，陳述個人當下狀態的時空光影，而將所曾經歷的「當下」，堆疊在相同的數位空間裏，同時寫真並且寫意。作者以互動裝置為媒介，讓觀眾與其過去創作的錄像與詩作產生意念上的接觸，進而思維自己終究在期待些什麼，守候的時刻裏，涉入的又是何種關注。生活總是這樣，城市裏人潮彼此擦經胸肩，交替切換意識與困頓。或許端於生俱的異象宿慧，灰塵的意象通常有精巧的喻義，關於空氣的凝結，影像符號象徵永無止境的空靈。或許已然落入一種思維的俗套，也有可能還需要想一想，就可以明白自己的定義。

我們的思考可以天真同時深刻，因此，本作品嘗試藉由不起眼之物裏的現象學，展開一連串認同的片段。講述著生活上的疑惑與抑鬱，結合了困頓的幽默與感官的荒謬。我們是城市漫遊者，藉由不斷的喃喃自語，觀察週遭的種種象徵、但不必然深究其意義。

在進入異次元國度後，我們總是開始沈浸於歧義之美，思索其中的多層次或然。此般模式，形成了一種體現事物本質細節的認知途徑，計算週遭看似熟悉卻又陌生的景緻所佔的篇幅規模，品味這一點點靈光。猶若Claude Levi-Strauss所說的：「而我們的眼睛卻喪失了辨別能力，我們不再知道怎麼去看待事物。」主觀的規律性，使我們洞見了流光凍結，如此慧黠。我們的創作不再臣屬於理論，於是腳步可以無限輕盈。

Concept of Work

This exhibition attempts to declare the background of personal contemporary state through an immersion of “digital vacancy,” the work is stacked on the identical digital space with concurrent portrait and enjoyment. The author allows the audience to generate engagement of ideas from past created videos and poetry using interactive media, which further pushes the audience to wonder what they are expecting and the kind of attention they involve in while waiting. Such as life, the crowd passes each other in the city, alternating and switching consciousness and predicament. Perhaps the image of dust generally contains an ingenious meaning due to naturally-born vision and wisdom; while the condensation of air, image and signs symbolize the endless vacancy. Perhaps the audience has fallen into a conventional mindset. Often times, the audience needs to think again before understanding the definition to his or herself.

Our thinking can be both naive and profound. Therefore, this work attempts to expand fragments of a series of identify from the phenomenology of inconspicuous things. The work describes the doubt and depression in life, combining with humor of predicament and absurdities of senses. We are the city wanderers who observe various surrounding symbols through constantly muttering without probing into its significance.

After we enter the kingdom of other dimension, we often start immersing in the beauty of ambiguity while thinking about the multilevel of possibility. Such pattern forms cognitive approach to reflect the nature and details of things, while estimating the length and scale of seemingly familiar yet strange surrounding sceneries, giving a little taste of such inspiration. As Claude Levi-Strauss said, “Our eyes have lost the ability to distinguish and we no longer know how to treat things.” Subjective regularity helps us gain insight to streamer and freeze in true cleverness. Our creation no longer belongs to part of theories and we can unlimitedly slow down our pace.